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Project number one: make a midi controller station for stage use. Done, details here. Project number two I'm going to try this fall. Using the steel sound board and some custom glass I'd like to make a coffee table.
Project number three was inspired from one of our fine artists at Living Stones. I had saved the keys for the piano.
Anyway, project two is all done.
This story captures the power of music beautifully.
"No one leaves the church service humming the sermon."
Pastor Tony Slavin
Got this email this week:
Hey Donald,
I appreciate all that you guys are doing over there keep it up! In a recent conversation I had about whether or not you should turn the house lights down during worship in order to draw people into a “deeper and more meaningful” worship...I responded to this person by saying its not important if the lights are up or down its simply a matter of preference and really rather trivial because if you haven't been thinking about and living for Jesus during the week turning the lights down during a song set is not going to make anybody's worship deep or meaningful.
They responded “Living Stones does it”...now I have to ask you is it simply a technological issue (especially at your downtown campus) because you have the big screen, the lights, projectors and such or is it a theological issue? I look forward to your response.
Thanks,
Brad
Short answer:
Both, but that is less true today (Mar 2012) than it was five years ago.
Longer answer:
Well Brad, great question. This past year I had a conversation with a seasoned worship veteran, Bob Kauflin on this topic. His insight was great; churches have swung back and forth on dark vs. bright sanctuary lighting every 20 years or so. And for the record, you nailed it. Lights don't mediate or compensate for someone who worshiped other things all week.
What you will hear from many worship leaders is that they want everyone in the room to forget what's happening around them. It's as though the best possible scenario in a room of 500 people is 500 phone booths with 500 pairs of headphones. I get what they are saying, but I think we lose something key to the church gathered if we tell people it's all about their solo worship time.
One of our biggest challenges historically was getting the typical Living Stones attenders to not worry about what people around them were thinking and just engage with God freely during corporate worship. This is good in principle, but you don't see a lot of "phone booth" type worship experiences in scripture. Five years ago we were pretty committed to a dark sanctuary, but these days we go somewhere in the middle.
Corporate worship is designed to refresh the saints, equip them, and encourage them to mission, which can't happen if you can't see and hear what's going on. In other words, seeing others respond to the truth of scripture in songs is a godly reason for keeping the lights up. I don't know that seeing everyone is necessarily essential, and there has to be some balance here.
For example, I do think there is a place for loud instrumentals in the corporate worship diet (particularly with scripture on the screen) and that a well trained congregation benefits just as much during non-vocal musical worship, contrary to popular thought. Singing is only one part of the congregation's response, and it's a silly overstatement to say that if they aren't singing, worship isn't happening. That however, is another post for another day.
I encourage our band leaders to model physical worship when they are not on stage, not for show or for the praises of men but because as leaders, people are always watching us. Even when our hearts are hard and dull, God is still worthy of our all. Seeing others express their love towards Him can be helpful in reminding my own heart of who He is, and how little my circumstances matter to my worship experience.
Technologically speaking, our stage lights can't hit the back wall that we use for projection so our lighting settings reflect that (no pun intended). During the sermon we make sure the house lights are bright enough to make sure anyone of any age can read the bibles around the room.
In summary, we're working on finding the balance. Hope this helps.
Self-promotion stinks, and most people can smell it.
I've noticed a recent trend on Twitter where creatives doing great work talk about all the reasons that announcing your own great work is a bad idea. Re-posting a compliment you receive online is lame/disgusting/distasteful. I get it. No one likes the guy at the party telling everyone how awesome he is. And 99 parties out of 100, that guy isn't awesome at all. Or he was born on 3rd base and acts like he hit a triple.
In fact, I recently saw a post from a creative professional I respect immensely, @JeremyCowart that nailed this sentiment on the head:
I should say I wish there were a 100 Jeremy Cowarts. He does phenomenal work and seems to love Jesus. Those that I have worked with, that work with him, adore him. That's a good sign he's a stand-up dude.
My contention is that this oversimplifies an important piece of most artist's lives.
The same pin used to pop the "humblebrag" balloon, is also frequently used against those trying to do what God commands for our joy. Brag on Jesus. Brag on what he's doing. Brag on what's he's done. And when you have 140 characters, it's not always easy to tell whether someone is trying to throw themselves a party, or share their gratitude and excitement about what is happening around them. Cowart's point seems to be, "don't be that guy" but reading others I wonder about who gets arrested by the Humble Police because they tried to celebrate something worth celebrating.
Does it matter who is at the bar? At Cowart's watering hole there are currently 47,000 patrons, and I'm willing to bet he hasn't shaken hands with many of them. That's part of being crazy talented like he is; his Twitter follower list is a lot longer than his Christmas card list. What if you're online audience is mostly people that know you well and know your heart? I suppose that's not common, but I do wonder if announcing a big break in a bar's backroom with friends and family is different than the picture he paints. We all don't have 47,000 people at our party.
Maybe who's in the room doesn't change anything. But if someone follows you on Twitter, aren't they agreeing that your particular networking/promotion efforts are of interest to them? Obviously, posting your work, and posting other's comments on your work are not the same. That said, if Obama posts a message about Cowart's work with the Dalai Lama being awesome, I'm interested and don't blame him for sharing it.
It seems God is not a fan of folks who make the world about them. That said, most circles I run in are not proficient celebrators. Cynics don't celebrate. They criticize. I want to be less critical and better at celebrating.
As someone who is assigned the task of communicating on Twitter what God is doing in our community weekly , I wish I had a better handle on this topic. Would love input on this one.
After 3 years of quiet...
Zimmerman is heading back to the studio!
Here is what we know now:
At least 8 tracks of brand new material.
Release date set for late 2012.
It will be our best work ever, we are quite sure.
We're working hard to show you what our next project will be like, not just tell you, so keep your eyes peeled. The most exciting details involve how we are going to make the record and who is working with us in the studio. More info coming around Jan 7th.
With great love and affection,
Donald, Cory, Liz, Mike, and Trevor
Four years ago I made a video to request some of our church attenders to switch services. It is seen below.
The first copycat I ever was sent was the video below. The notes indicate that they admit they stole the idea.
Then they started popping up all over, mostly for men's retreats. I don't particularly care, as I didn't contract Gerard Butler to make the first one, but I can't help but feel that part of what is wrong with creativity in the church can be summarized below. (this is a SMALL sampling)
At our church, this kind of thing happens a lot. We recently received a request from a church on the east coast to purchase some of our artwork (both physical and digital) from the last teaching series. We're sending them the full graphics package for free. Having the integrity to ask instead of just stealing is admirable. I wish Christians weren't known for this sort of thing. I wish Christian bookstores weren't chock full of rip-off goods that tell people we should just copy culture and add a cheesy tagline. I know we can do better. I've seen it with my own eyes.
A few people asked about the instrument I played this past Sunday.
It's called a "melodica". Made popular by Hohner in the late 50's, it's popped up in reggae, folk, and pop music now and then over the last 5 decades. Most melodicas have two octaves, and they have a warm tone. They were used heavily in Asia and Europe to teach children music theory and basic music skills.
I first found one in a studio owned by Shane and Shane called Spaceway outside of Dallas, TX. Our producer at the time encouraged us to try it on a track and we did...
I've hung on to it over the years and pulled out for special sets, especially those when we strip the electric guitars back and use more folk-style instruments.
There you have it. A brief history on a fun little instrument...Watch for a reappearance at Christmas!

















