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April 9, 2014 - No Comments!

Lead The Church 2014

Ever have a hard time organizing the artists in your church?  Ever wonder how to build solid worship bands for your Sunday gatherings?  Ever wanted to focus the artwork in your church around the teaching series?

I'm pleased to announce that I will be covering these topics and more as I lead a break-out session at the upcoming "Lead The Church" conference held in Reno, NV.  It's free.  In a sea of conferences this one focuses on practical help, not just big ideas.  Did I mention it costs nothing to attend?

http://www.livingstoneschurches.com/leadthechurch2014.com/schedule.php


More details and registration can be found here.  See you there!

January 31, 2014 - No Comments!

Worship Ministry Essentials – Part 1: The Flapper


For the last eight months my wife and I have fallen asleep each night to the sound of our bathroom toilet emptying slowly and filling again.  It's amazing how a toilet bowl acts as an amplifier for sound, and how much sound can come from a slow, steady drip.

The only reason I didn't repair it eight months ago, was because I falsely believed it would mean I would have to replace the whole toilet, which would entail ripping up most of our bathroom.  That was a project I wasn't financially or emotionally ready to dive into.

I am increasingly convinced that one of the fundamental issues beneath many of the conflicts in worship ministry (and the church at large) is that we all frequently respond with surprise when things get difficult relationally.  Despite what we know about ourselves (that we have mixed motives for everything), what we know about humanity (that we are born with brokenness), and what we know about sanctification (it's a crawl on a good day)1, we still are shocked when conflict arises or a ministry relationship goes sideways.  

You may have noticed that we musicians and artists can be a unreliable, self-absorbed, and sensitive bunch.  This makes good soil for an emotional outburst or a sharp exchange at your next rehearsal.

Some of the best advice I was given heading into marriage was "to keep short accounts."  This means handling conflict as soon as possible in a godly fashion so that it doesn't have time to fester, and grow into something bigger and heavier.  For those that aren't a pain in the neck like me, prone to stirring the pot just to keep things interesting, you avoid conflict because you believe the lie that if you don't make eye contact, the problem will grow bored and go away.  

Here's the thing.

Bitterness doesn't wear a watch.  It's content to hang out as long as you give it free rent.  Reconciling with a worship volunteer can be hard work that costs some time and emotional energy.  That said, you find out what you really believe about the gospel when someone wounds you. 

"Bitterness doesn't wear a watch."

Like any team, you can't have a healthy worship ministry unless you have a culture of gospel-centered conflict resolution.  If you're the leader, you set the tone for this.  Often, the most important thing you do as a leader, is how you treat someone after they blow it.  

Bottom line: if you do life together on your worship team or band long enough, someone is going to hurt you, upset you, and possibly wound you.  What if instead of acting surprised when this happens, we instead were committed to seeing each other in light of the good news we already believe about ourselves?  Seek peace.2  Apologize and own it when you misstep or misspeak.  Don't let thoughts about the worst case scenario arrest you from finding a good time to talk it out.  

If Jesus really paid for it all, then believe that about yourself and the one you find yourself irritated with or hurt by.3  If you need some time to gather your thoughts and repent of your selfishness then take it...but first commit to talking things out in the near future.  Fixing a small rift early always beats crossing a huge chasm later.

"You find out what you really believe about the gospel when someone wounds you."

It's amazing how doing ministry together acts as an amplifier for our character, and how much damage can be done from a slow, steady drip of unforgiveness.

After watching nine seconds of a video on YouTube, I saw that the leak was probably an aging "flapper".  The swap took $7 and two minutes.  I am sleeping better, the water bill is lower, and now my only regret is that I didn't solve this eight months ago.  You might sleep better too if you gather the courage to step out and reconcile your conflict today.

1. Isaiah 53:6, Romans 3:23, Psalm 143:2, 2 Cor 3:18
2. Roman 14:19
3. 2 Cor 5

January 18, 2014 - No Comments!

Stripping Things Down

Many churches are led faithfully in worship every Sunday by a single leader or dedicated duo.  For those of us leading with a standard 4 or 5-piece or those attempting to best Hillsong United's stage population of 27, stripping things down to a simpler configuration can be really helpful.  Below you'll find both the advantages to doing so, as well as some tips to make it work.  Let's start with the perks:

1.  An opportunity for rest.
This is true especially in contexts when a few musicians carry the lion's share of responsibility for musical worship in your church.  Give them a break.  Send them to another church in town to observe and learn.  Kick them out of town with their spouse.  Break up their routine of rising early, doing a sound check, and running a marathon with you every Sunday.

2.  An opportunity for teaching.
An acoustic set is a great time to teach that worship is not about style, instrumentation or volume.  Lovingly remind your people that remembering and adoring Christ and celebrating His work through active participation is the win for Sundays (as opposed to hearing their favorite song, or just enjoying the band).

3.  An opportunity for variety.
Changing things up a bit can be life giving for you if you're feeling excited about Jesus but bored with your presentation.  The instrumentation and size of band has nothing to do with whether worship happens or not, but mixing things up can still be a good thing for you, your team, and the congregation.   

"Remind your people that remembering and adoring Christ and celebrating His work through active participation is the win for Sundays."
 

TIPS FOR YOUR ACOUSTIC SET

Now that we've touched on some perks, here's a short list of things to help make the stripped down set work.  I would note that if the skill level of your players are through the roof, you have some more flexibility in these things...but I'm guessing that's probably not your scenario.

1.  Ditch the instrumentals and the mega-chorus.
Often the instrumentals, bridge or a repeated chorus on a studio recording make full use of all the instruments and dynamics afforded a 4 or 5 piece band.  Think through which parts of the arrangement all but require a full band, and then simply remove those parts or simplify your arrangement.  If you opt to simplify, listen for the melody lines (vocal or instrumental) and try to keep those intact.  Additionally, long instrumentals sound empty/uninteresting when it's just an acoustic guitar and piano, so use this as a time to really highlight the voices of the congregation and the singing parts.
Ex: If there is an 8-bar instrumental after the chorus, skip it and go right into the next verse.

2. Knock it down a step.
Worship leaders should always be listening for whether a song is in a "congregationally friendly" key, but this is vitally important when simplifying the band.  I suspect it's because generally people will meet you half-way when a full band is playing over them, but since they can hear themselves 100% of the time during an acoustic set, key selection becomes even more important.  I've moved a song in an acoustic set down two full steps when the full-band version is near the top of what we're comfortable playing in a worship setting.
Ex: We play "Sweetness of Freedom" in C with the band (the recorded key) but in Ab when it's just an acoustic trio.

3.  Tie a rock on top of your keyboardist's left hand.
Everyone needs to think through what musical space is occupied by the others usually on stage, and play their instruments accordingly.  Without a bass player, it's a good idea to have the piano player (if you are using one) play more heavy handed on the lower end of things.  This gives some guts to your simplified arrangements.

Hope these tips help you out the next time you cut things back and step on stage.  Till next time.

January 9, 2014 - 3 comments

Worship Resources Pt 6: Catalogs

Catalogs

When worship leaders reach out for guidance or input on their worship ministry, one of the first things I ask about is regarding the use of catalogs.  Most are familiar with the concept but pick songs for their congregation with little attention to frequency, consistency, or breadth.  The top 10 CCM songs are not a thoughtful or even helpful way of choosing songs for Sunday.  Using a catalog is a great tool for worship leaders to balance the "worship diet" of their church.

First let's define the term for our use:
A catalog is a set bank of songs used for a set period of time at a set location that balances the worship diet of your congregation.  For example, we use a catalog that changes every 3 months, of around 25 songs at our Reno location.  Catalogs differ between our 5 churches, and we tend to roll several songs forward each quarter.

Here's a quick rundown on a few of the tested advantages we've seen play out:

1.  It's helpful for your people.
Using a catalog is a great way to ensure a "balanced diet" for your congregation.  The Psalms are full of a breadth of human emotion.  With a catalog in place, it's easier to intentionally have songs in rotation that cover celebration, despair, doubt, gratitude, and confession.  Here is a sample of some of the balances we are striving for in our catalogs:

  • a.  Subjective vs. objective (How we feel or respond vs. what is unchanging and true)
  • b.  Indicative vs. imperative (Reminding what Christ has done vs. what we do in response)
  • c.  Celebrational vs. contemplative (both in lyrical content and in musical mood)
  • d.  Individual vs. corporate (I and me vs. us and we)

A warning: many have moralized different categories of songs in recent years, which speaks to both an ignorance of the Psalms as well as church history.  For example, in the hymnals I have collected from the 1800s, the most common first word found in the song titles is "I".  Balance is key.

2.  It's helpful for those you are trying to reach.
Every church has its own culture, and the music is part of that culture.  When a new person walks through your doors they will not know the songs you use, which is to be expected, but you can make it easier for them to join in after a few weeks if you use a catalog to limit the sheer volume of content.  We say, "a guest should recognize several songs if they spend a month with us".

3.  It's helpful for your teaching pastor.
In many churches, the teaching pastor has ten times the theological training that the worship leader does.  This is highly problematic, but that's for another post on another day.  Giving your teaching pastor a voice into the songs you use for Sundays is a great checkpoint, especially if they aren't musically inclined.  Using a catalog can help you work on the worship menu together and gives you a fighting chance at tying in the music with upcoming teaching themes.  It also allows for your teaching pastor to request songs more easily when he has the catalog in hand.  The same can be said for planning services.

4.  It's helpful for you.
Every worship leader knows that you have a certain number of songs you could play at any moment.  There are another group of songs that with a quick glance at a lyric sheet you could pull off.  Still other songs would require the music sheet to be in front of you and several practices.  This is true because depending on many factors, you only have so much memory recall to allocate towards the songs you are playing.

"A guest should recognize several songs if they spend a month with us."

Since a catalog limits the number of songs you play, assuming you go through at least portion of your catalog at practice means you also limit the time that has passed since you have played everything in your catalog.  We play our whole catalog every 3 weeks or so.  That means it's never been more than 2 week since we played a song we are using for this quarter.  I can't overstate how helpful this is.

This saves time previously spent trying to remember that one tune you haven't played for months.  It creates space in practices for praying together, writing and creativity with your band or team, not to mention polishing the songs that need a little extra work.

These are only some of the benefits but it's clear to see that catalogs are a incredibly useful tool for worship leaders.  Type one up yourself or use PCO, but figure out a way to implement a catalog for greater clarity and intentionality in your worship ministry. You can download a sample of one of our catalogs here.

Anything we missed?  Comment below.

September 4, 2013 - No Comments!

Worship Resources Pt 5: Music Theory

 

 

 

Music Theory Lessons for Volunteers

Communicating at your mid-week rehearsal can sometimes feel like you are building the Tower of Babel.  Somewhere between avoiding the key your piano player hates and Nashville numbers, you can feel like everyone is on a different page.

Thankfully "music" is a language that can learned by any musician.  Many people who serve faithfully in the church have no formal music background which can make it hard to talk to them about things such as how capos work, or transpose a song on the fly.  These two theory lessons will help define common musical terms such as whole steps, half steps, major scale, minor scale, using capos, transposing for capos, and common chords in every key.

Our lessons below show how to use "Nashville Numbers" which is very helpful when a a capo-ed guitarist is talking to the rest of the band about what chord he/she is playing or when learning how to transpose.

If someone in your band or team does have formal musical training, encourage them to pass it on in ways that are helpful, not condescending.  Ask for referrals to music teachers in your community that understand the worship environment of a typical church.

You can download for free some of the lessons we use below.  These are targeted to help new musicians understand basic concepts and help you find the short cuts in the musical language without having everyone take a year long college theory class.

Lesson 1: Steps and Scales

Lesson 2: Minor Scales, Chords, Nashville Numbers, and Transposing

If you'd like more lessons, let us know in the comments below!

August 28, 2013 - No Comments!

Worship Resources Pt 4: Developing A New Band

 

 

 

Band Development Process

Many people have asked me what it looks like to "build a band".

I should preface that at Living Stones Churches, we use the band model at some of our locations, and the team model at others.  Neither is "better" but they both have pros and cons.

When we build a band, we're looking for someone theologically grounded, musically gifted, and spiritually submited to lead it.  I detail that a bit in this piece for the Resurgence.  But building a band is more than just raising up (or finding) a great band leader.  That's why we have a development process.

The process addresses the logistical needs of an efficient practice, establishes their song catalog to ensure theological depth, thematic diversity, and congregational familiarity. 

Download our "Band Development Process" for free here.

If you use part or all this, be sure to comment below with your thoughts.

August 21, 2013 - No Comments!

Worship Resources Pt 3: Feedback Loops

Feedback Form for Bands/Teams/Leaders

Anyone who has read a leadership book published in the last 50 years knows that feedback loops are essential.  The people you lead need to know what the "win" is.  If you don't define what the "win" is, you can't measure it.

Sadly, most churches only have a vague collection of ideas for what a "win" is on Sunday.  Very few have spelled it out in a way that can be assessed and measured.  We're quick to spiritualize this, and while I agree that no man can know the full extent of what God is doing in the room, there are certainly things we can watch for and assess for growing in our efficacy, leadership, and faithfulness.

Sometimes a worship leader is a little off, and you don't know how to nail down what it is.  Maybe you are the worship leader and you want to get honest feedback from your peers or your lead pastor. 

Asking questions like, "How can I lead better on Sundays?" or "Is there anything I do on stage you wish I would stop doing?" are great discussion starters.  Now, I only recommend these conversations if you actually believe that Jesus loves you, has saved you, and won't let go of you...you know like the songs you sing?  Otherwise any critical feedback will likely send you into a shame spiral.

A good feedback loop that includes critique and praise can be life giving and a way to avoid plateauing in your leadership.

Our "Feedback" document includes forms for band/team leaders as well as the band/team as a whole and is available for free here.

If the feedback document is helpful to you, comment below. 

August 14, 2013 - 2 comments

Worship Resources Pt 2: Application

Worship Application

You know the guy.

He approaches you after a Sunday service and starts talking about how he used to lead worship at a huge church, and he grew up down the street from Switchfoot, and he has a bunch of gear he wants you to know about.

Also, he wants to join your worship ministry.

Where do you start?  What action step do you point to so that he knows what is expected?  We use a printed application as a starting point.  We have them on hand at the church info counter at all times.  Of course we want to really get to know anyone that comes into the worship ministry, both because of it's biblical importance, and the visible nature of anyone serving on stage.  You don't get to know someone filling out a form.

That said, the simple application, actually weeds out some of the folks that might be toxic for the ministry, while getting the folks you want to join a way to think through what they are walking into.  It serves as the first step in the process of getting involved.  It's designed to be just that: a first step.  Not bulletproof, but a helpful tool.

If you find the document useful, be sure to comment below.

Download the "Worship Application" for free here.

August 7, 2013 - 1 comment.

Worship Resources Pt 1: Auditions

Worship Band/Team Audition Kit

I know you probably have more worship leaders and volunteers than you know what to do with.

But most churches I know are struggling to get worship leaders and volunteers identified, recruited, trained, and discipled.  Worship team member recruiting is tough.  It's demanding in terms of time and specific in terms of gifting…and that's not even considering the expectations on a music leader.  In many ways, we are asked to be a theologically trained, public speaking, musically inclined entrepreneur. 

At Living Stones Churches, through years of experimenting and making mistakes left and right, we have a pretty robust and thorough process of getting new worship volunteers and leaders on board and on stage.  We'll be posting several documents we use to train leaders and build bands.  None of this is a replacement for relational discipleship, but it's a good system to get you rolling on developing and assessing what you have now, and clarifying what you want for the future.  They are living documents for sure...they are changing all the time.

If you find this helpful, be sure to leave a comment!

Download the "Worship Band/Team Audition Kit" for no charge here.

July 31, 2013 - No Comments!

6 Reasons I’m Glad It’s Not About Me

This week we were asked to open for the latest Reno visit by a Nashville "Christian" band.  We had a blast.  They were sincere and warm guys.  There were worshipful moments and just plain good ol' fashioned fun throughout the evening.

It also served as a potent reminder that while I enjoy a good show, a concert is not by design the same event as a typical Sunday in our churches.  This concept is nothing new to most of us, but I have never detailed why I am thankful that the church gathered is not about me. If you believe otherwise as a worship leader, you will find yourself in deep water quickly.  Here are 6 reasons I am glad Sundays aren't about me:

1.  No one wants to go to the same concert once a week for the foreseeable future.

Comparatively speaking, worship is deeper than entertaining.  If a worship leader attempts to entertain your local body, you have an impossible task.  Adele, Mumford and Sons, and Brad Paisley all travel from place to place; why do you think you and your Taylor guitar can bear the weight of entertaining your people in one location week after week?  The greatest act in the world gets boring eventually.

What if instead the central purpose of Sunday is remembering who Jesus is and what He has done?  What if Sunday's platform is solely for you to point like a neon sign at what is already amazing and beautiful, namely Jesus Christ.  Now that's a well that doesn't run dry.

2.  My emotions are fickle and wavering.
Sure, I feel peaceful/content/godly right now.  Give me 5 minutes.  Ephesians 4 and James 1 warn against being tossed around like a toy boat on stormy seas between belief and doubt or the gospel and false doctrine.  If Sunday is going to be about me, I'm going to need to do the impossible: be consistent in character and attitude with no wavering, no exceptions

3.  In God's economy, I am as bankrupt as those off the stage.
You don't ask homeless people for loans, right?  There is only one rich and gracious benefactor on Sunday, and it's not anyone with a microphone.  The stage in church has been useful for showing that the preached word is authoritative, and that the people follow the cues of the song leader.  It has done damage however, in making us worship leaders believe we are 3 feet closer to God than everyone else.

4.  I would surely break under the weight of people's expectations and affections.
People expect too much of music already.  I don't need to portray the music set as an opportunity for me or the music to fix anyone.  The Spirit moves in times of worship for sure, but we often reinforce the idea that the music itself has healing powers.  The primary danger isn't in those that are disappointed with you right away...it's those that believe that the music is healing/fixing/helping them now only to discover later that it stopped "working".  That kind of crushing weight will chase us all down.  We won't and can't hold it up.

5.  The Devil is in the details...and the tuner pedal
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No matter how much I prepare and practice, I can never guarantee perfection musically or technologically.  I think the modern church is plagued by an army of technology demons, possessing guitar pedals, severing wires, and busting solder joints for kicks on Saturday nights.  Every worship leader knows this, but we still get caught up in the hunger game of achieving the perfect execution.  Desiring to execute your service well to avoid distraction, and desiring to execute your service well to feel like you nailed it look the same on the surface.  You may even confuse the two yourself.  You can't control when that projector bulb calls it quits or when that string breaks every time, so rest in knowing that Jesus has got this.

6.  The people of my church don't need another perfect model or mediator.
The one they have works just fine.  I don't think it's wise to apply for a position that is already filled.  Nobody wins in that scenario.  If you stop a moment and watch Him, He is doing a pretty stand up job at it too.